Creative Producer & Project Manager

Select Past Work

THE FLY HONEYS

The Fly Honeys are a queer-celebratory, ass-shaking, glitter-bombing, party-starting punk performance group born from the iconic annual event, The Fly Honey Show, founded in Chicago’s underground performance scene in 2010.

Hot off their sold-out run at Thalia Hall and Lollapalooza The Fly Honeys (est. 2010) are a dance forward performance project manifested by hundreds of movers, makers, ass-shakers, musicians, DJ's, nightlife and variety artists. Their live shows are like a sweet, sweaty, sticky, glittery, raunchy, sex-expansive, all-body-loving, queer-celebratory, hot, thicc, thot grrl music video that is dripping with a fiercely empowering ethos. Called a "Chicago institution" and described as "Funny, ferocious, vulnerable, naked in every sense: it's camp transcendent, The Fly Honeys have been buzzing around Chicago performing short form sets and production The Fly Honey Show to sold-out venues, rooms, clubs, theaters, basements for over a decade.

EXECUTIVE PRODUCER

As Executive Producer of The Fly Honeys, Missi collaborates with partner Erin Kilmurray to vision and execute the strategic planning of the project and organization. She conceptualizes experience enhancements through on-site and communications engagements, assembles and manages design and production teams, cultivates relationships with venues, vendors, sponsors, and community partners. She handles financial forecasting and general management, and works to align the event planning and audience experience with the mission and themes of each iteration of the project.

 

NEVERMORE PARK

Nevermore Park is a 6,000sq foot art experience that will transport you into an exciting alternate reality filled with new sights and sounds. Powered by the imagination of artist Hebru Brantley, visitors spend a day in the life of his iconic characters, Flyboy and Lil Mama.

““On a surface level, [Nevermore Park is] an extremely fun, engaging, interactive experience—it could be easily just an Instagrammable moment for people,” says Brantley. “[But] looking into the detail, and kind of understanding Chicago’s political history—Chicago’s history—and then, from a revisionist history standpoint, stepping back and looking at sort of the ‘What if?’ of it all within this installation.”” - Hebru Brantley in an interview with The Root

general manager

As General Manager for Nevermore Park, Missi built all aspects of the daily operations from the ground up. At the helm of a true start-up, Missi worked hand-in-hand with the producing team to understand their strategic goals and created customized systems for effective, efficient, and culturally aligned operations. Missi was responsible for designing the organizational chart, assigning roles and responsibilities, recruiting, hiring, training and ongoing management across all operations departments including front of house, box office, administration, production, facilities and merchandise. Additionally, she was responsible for the weekly operating budget and strategic planning for long-term operational enhancement initiatives. At the end of her tenure with Nevermore Park, the experience had grown from the goal of a six to eight month extended run into a business that is now setting it’s sights to become a Chicago institution for the long-haul.

 

schlitz bouts

Commissioned by Schlitz Brewery as a rebranding event for Schlitz Heritage, Missi was approached to design a full-scale 1920’s nightlife experience that was a cross-over for entertainment and sports. The result was a partnership with Chicago Boxing Club to present a turn ­of the ­century extravaganza complete with vaudeville acts and a real ­life amateur boxing match.

Curated and produced by Missi Davis with the performance direction of Gus Menary; Mary Williamson and Davis Haines hosted an array of performances including The Fly Honeys, magic by Brett Schneider, The Galaxie Dancers, and special guest Stephen DeRosa (best known for his role of Eddie Cantor on Boardwalk Empire). Angie Tillges’ art direction and Anna Glowacki’s costume design transported guests back in time while they cheered on the bouts provided by Chicago Boxing Club. Guests were encouraged to dress the part, and Pokey Lafarge closed out the evening with his signature musical stylings.

producer

As Producer, Missi was responsible for creating the experience in line with the client’s vision. This includes strategic development, budgeting, curation, and acquiring appropriate business partnerships. Missi additionally oversaw all aspects of production from design to implementation, including overseeing the overall flow and direction of the evening and all sales and ticketing.

 

Ada/ava - manual cinema

MANUAL CINEMA is an Emmy Award winning performance collective, design studio, and film/ video production company founded in 2010 by Drew Dir, Sarah Fornace, Ben Kauffman, Julia Miller, and Kyle Vegter. Manual Cinema combines handmade shadow puppetry, cinematic techniques, and innovative sound and music to create immersive stories for stage and screen. Using vintage overhead projectors, multiple screens, puppets, actors, live feed cameras, multi-channel sound design, and a live music ensemble, Manual Cinema transforms the experience of attending the cinema and imbues it with liveness, ingenuity, and theatricality. The company was awarded an Emmy Award in 2017 for “The Forger,” a video created for The New York Times and named Chicago Artists of the Year in 2018 by the Chicago Tribune.

ADA/AVA | Bereaved of her twin sister Ava, septuagenarian Ada solitarily marks time in the patterns of a life built for two. However, a traveling carnival and a trip to a mirror maze plunges her into a journey across the thresholds of life and death. Set in a landscape of the New England gothic, Ada/Ava uses a story of the fantastic and super natural to explore mourning and melancholy, self and other.

company manager for fall tour 2014

Tehran Mobarak International Puppetry Festival and around the mid-west

As Company Manager, Missi was responsible for all logistical and administrative needs for the fall tour of 2014, which included the Tehran Mobarak International Puppetry Festival in Iran. Missi prepared production paperwork, handled all travel logistics, liaised with all festival and venue coordinators, managed production and load-in schedules and coordinated with the Manual Cinema production and general management teams to prepare and problem solve for smooth operations.